On Marilyn Monroe and Childhood Sexual Abuse

Fifty four years ago today, Marilyn Monroe was found dead in her bedroom from an overdose of pills meant to treat her depression. (Her death was ruled a suicide, as you may know.) I remember the first time I saw an image of Marilyn Monroe: it was on the Child of the 50s comedy album by Robert Klein. At the time, I spent many afternoons in the bedroom with my step uncle “Reggie.” We’ll get to that in a minute.

Reggie introduced me to Cheech and Chong, Robert Klein, Aerosmith, and Rush. During one afternoon while listening to Klein, I studied the album cover as he talked about putting a coin in a vending machine and getting a button with the now famous nude image of Marilyn Monroe. (If you look at my featured image, I’m talking about the two identical pictures just off center to the right in the collage.)

After I was made aware of Marilyn Monroe, I started to hear her name all the time and see images of her in cartoons, advertisements, magazines. There was even a pictorial of her in one of my father’s Playboys, which since I’m a child of the free-wheeling 70s, lay right on the coffee table in our living room.

I was struck dumb by the beauty Marilyn possessed. Sure, her hair was bleached and straightened, nose fixed, but even now, looking at the photos of her when she was simply Norma Jean, I found her breathtaking. My favorite film with her, Niagara, is worth a watch.

Fast forward to my early 20s. I had joined the navy after the death of my beloved older brother, left my hometown Binghamton, New York, and was lucky to get stationed at a weather center in Monterey, California. (Not far from Watsonville where Marilyn had once been named Miss Artichoke.) I visited Hollywood, saw Marilyn’s wax figure, and got the chills when I placed both hands in her hand-prints at Mann’s Chinese Theatre. I loved her.

I started reading books about Marilyn, biographies, anthologies, even an autobiography. She’d been abandoned by her birth mother, just like me. I’d never lived in an orphanage, but had a severely abusive stepmother. Marilyn was raped and sexually abused numerous times during her childhood. I’d never been raped, but Reggie started performing oral sex on me when I was four. His sister also molested me. The more I read about Marilyn and her problems with men, I started to wonder about myself–a woman terrified of commitment who eloped at 21 and dumped the guy three months later. In one book, Marilyn is said to have done the same thing in Mexico. (Some folks says it’s not true, but I believe it.)

Marilyn was unfaithful to every husband and lover. I’ve had many struggles with infidelity as well. The current psychology on childhood  sexual abuse tells us this type of behavior is not uncommon–the adult often tries to “work out” or repair what happened to them in the past, and that can lead to repeatedly looking for love in all the wrong places. A very smart writer I met once said, “A kid who’s been sexually abused is the world’s sex object.” The statement is both astute and heartbreaking.

If you’re lucky enough never to have endured sex abuse as a child, it might be difficult to have empathy for people who have. In my life this has been true. I’ve had family members say, “It was experimentation, get over it.” “That’s just an excuse because you were unfaithful.” One callous soul said, “You must have enjoyed it, because you never told your parents.”

Indulge me for a moment if you will. Imagine yourself at four. Or your child at four. (My uncle was 11 when he molested me. Chances are he was molested too, or at the very least exposed to inappropriate behavior.) Reggie bribed me with quarters so I would let him have his way in the bedroom. As I grew older, he gave me record albums or other presents. He said, “Don’t tell your Daddy because he’ll think you’re nasty.” Thank goodness, at age nine, I told him to stop. But the damage had been done.

Over the years, as I learned more about childhood abuse, I grew to feel empathy for Marilyn Monroe. She married for the first time at 16. Although marrying young was not uncommon at the time, I still see it as her getting the hell out of her current situation. In many of the books I’ve read about her, authors describe her as sexually frigid and a woman-child. When I hear “She slept her way to the top,” I prefer to see her not as a soulless woman using sex to get her way, but as a wounded child who believed the promises of men who offered her a better life.

Although I am in my late forties, I am still a hopeful child. Not long ago, I believed the promises of a man, even left my happy marriage. Now, I’m alone and missing my ex-husband and the amazing life we had. I’m grateful for the therapists I’ve had who’ve tried to help me heal from my past. I have a fabulous one now and we’re doing EMDR. It’s not over; and it’s not easy. Today, I wish to say, Rest in peace, Norma Jean. I’ll always be a fan. ❤

 

 

Why I Killed My Step-Uncle In a Poem

From ages four to nine I was sexually abused by my step-uncle “Reggie” who was seven years older. He paid me in quarters and record albums, including Cheech and Chong’s Big Bambu and Toys in the Attic by Aerosmith. I had no idea that the abuse was wrong and blocked the memory until I turned 18.

When I told my father and stepmother about the abuse, they said, “Why didn’t you tell us then?” I was four. And of course, my stepmother accused me of trying to get her brother Reggie in trouble and cause problems between her and my father.
(as if they didn’t have enough on their own) Now I know this response is typical of a family in denial.

I’ve spent decades in therapy working through the after effects of the abuse, which includes mistrust of men and authority figures, fear of commitment, control issues, and a penchant for the melodramatic. I have left good relationships for terrible ones, including my last marriage. I don’t want to be alone but keep making that happen. The truth is, I don’t know what the hell I’m doing.

In a poetry class years ago, I had a teacher who was a victim of childhood sexual abuse and not afraid to talk about it. He really understood the damage it causes to the human psyche. Through discussion, he helped me get my writing to a place where I could articulate what I wanted with the following poem. He read The Coin Collector and said, “You killed ‘im off, eh?” I didn’t mean to, but the poem took me there. And so be it.

The Coin Collector

You look tranquil in nickel-plate, uncle,
shark skin suit, black tie, eyeglasses.
They’ve done great work with your makeup,
brushed your hair back as you would
have worn for a wedding or wake. Your mother
offers kind words, says that as a child
you saved every penny you found. Your sister
talks about your thumbs, how they bent nearly
flat from the indent of so many coins.

I remember the Lincoln Cent collection book
you gave me, your taking me to antique shops
when I was thirteen, our private talks
of my high school lovers, all of which
you were dying to hear. These days, I carry
grief in my pockets like the coins you collected,
handled so often they’ve lost their brilliance.

I think of the young girl from a family
where no hands reached, how she welcomed
your affection year after year, afternoons
in your bedroom, a quarter a trip, your arms
linked through her legs, her fingers
tugging your blond hair, the pleasant ache
she felt between her legs then—and now—
when she hears them say your name, runs
her finger along the ribbed edge of a quarter,
sees the coffin close over your face.