Which Writer Are You?

Recently, I attended the Centrum Writing Workshop in Port Townsend, Washington. Two of my good friends and former graduate school colleagues were also there for the weekend. The three of us shared a cabin, stories, tons of wine, and we laughed so much my stomach hurt Monday morning.

Kami and I were in the same M.A. program at Western Washington University in Bellingham. She writes fiction and poetry, and we are soul sisters. Jordan, who writes poetry, and I were in the same M.F.A. program at University of Idaho, and we know the show Friends line for line and confounded everyone by speaking in quotes from Chandler and Phoebe instead of our own voices.

After spending time reminiscing with my friends, I kept thinking about all the writers we’ve interacted with in our programs and over the years. I threw together this list. It’s all in fun, and I encourage you to add to the list.

The Starstruck Stalker– this writer has met 100 famous writers and can’t wait to tell you when and where. He or she has copious signed books and experiences galore from conferences, dinners, readings and workshops that they will be happy to share regardless of your disinterest. This writer may or may not have one iota of talent.

The Cliche– this writer fulfills the stereotype of a writer as a hot mess. He or she drinks or drugs to excess, is melodramatic, destroys their personal and professional relationships, all the while publishing brilliant works. Everyone puts up with their bullshit because of their genius.

The Trickster– this writer creates obtuse, abstract pieces of work that only he or she understands. And then, when other writers (often in the workshop setting) offer useful feedback, the Trickster says, “Oh. You weren’t supposed to get that. I wanted to trick you.” That’s when this writer says, “Good for you, Trickster. Now go find another workshop.” You suck.

The Enigma– this writer creates interesting and odd pieces that you would never think to write yourself. He or she is flippant, couldn’t care less if their work gets published and so it gets published all the time! You sit at home tearing your hair out wondering why you have a stack of rejection letters lining your bird cage and the Enigma calls and says, “The New Yorker accepted my short story!” You say, “Oh my gosh, congratulations.” And then you turn on the gas stove and stick your head inside.

The Humble Pie Writer– this writer does not call himself or herself a writer. If they teach, they call themselves a teacher. If they work as a postal clerk, they call themselves a clerk. He or she may have a handful or a boatload of publications, even a book or 10, but they don’t buy into the bullshit that comes with being a “Writer.” They love writing, they love words, they love the creative process. They dislike going to high-profile writing events where they might be ignored by self-important writers who look behind them to find someone “more famous” to speak with. These writers are usually talented but down to earth, and love to talk to budding writers.

I know which writer I am. But I will never tell.

If I Had More Time I Might Be a Plumber

What compels the non writer to approach the writer and say things like “I’d write a book, too, if I had more time”? or “I should be a writer, but I don’t have the time.” What a flippant statement. It’s as though all writers work at dream jobs where they make oodles of money for dreaming.

When the plumber visits my home and lies on his back beneath my sink with tools I barely recognize, and twists pipes, pulls out hoses and gets dirty, I don’t say, “I would do that myself, but I’m too busy.”

A good friend of mine was taking a creating writing course as part of his political degree. He’s actually a great writer, especially memoir. He asked me to proofread and edit his personal essay. I was pleasantly envious of his piece called “Redwood Paddle.” He asked, “Why would you ever choose this as your career? It’s so hard.” I laughed, and said, “I didn’t. It chose me.”

Recently, a man I met kept inviting to his house. I said No repeatedly because I’m trying to finish my childhood memoir for a book contest. I told him, Writing is a matter of life and death for me. He said, “I wouldn’t say it’s a matter of life of death for me. I do it for work.” I wanted to say, “No shit.”

Writing is not a matter of life and death for the non writer. I don’t mean to sound snarky or elitist. But whatever your passion, whatever you do to get you through this thing called life–whether it be painting, farming, working with kids, quilting, cooking, social work, nursing, gardening, leather crafting, bead work, etc., Only you understand that love, that drive, that devotion, that calling, and why you desperately need to do it. I’ve been a writer since I was able to put letters on paper. Often I wish I was a plumber. But I just don’t have the time.

Ever Play A Scary Childhood Game?

Food Contest

It was more of a game that you half-invented–
half-stole from a show called Wonderama.
You blind-folded me, told me to hold my nose
at the breakfast bar in the kitchen, and guess
which food you’d shoved into my mouth. You were my
older brother, my first friend, and I would have
followed you right over a bluff into murky water
infested with piranha. . . I still played after the hot
pepper brought me to tears, the spoonful of baking
soda left me gagging over the kitchen sink,
the cucumber slice so thick with salt that my lips
puckered like an ass. But even I had to quit
after you laid the used match from dad’s ashtray
full of cigarette butts right on my tongue.

What’s More Important Than to Love and Be Loved?

My ex-husband Eric and I met 17 years ago at an airport bar in Lewiston, Idaho. He was the cutest man I had ever seen in my life. He asked me to dance to “Summer Lovin'” from Grease, and I said “No,” three times before I finally gave in. While we danced he kept smiling, wide and earnest, with a gap between his front teeth. Later he told me he kept falling out of his flip-flops.
While we chatted later that evening, we learned that I was 29 and Eric was 19. His fake I.D. said his name was Steve Williams (AKA Stone Cold Steve Austin) and his address was 316 Austin Street in Clarkston, Washington. Even though we kissed, and I saw skyrockets, I refused to give Eric my phone number or let him take me home, because I was sure he was going to be some immature “dude” who would use me, toss me aside and break my heart.
Long story short for the sake of the blog, I called Eric ten days later because I couldn’t stop thinking about that smile. We started dating, fell in love and got married in 2001. I already had two daughters from two previous marriages–one ended in divorce, and the other in widowhood.
After seven years together, Eric and I had a son. I can say without hesitation Eric was born to be a “Dad.” He was a pretty good husband, too, although my being an extreme extrovert and his being an extreme introvert may have helped lead to our demise, along with my fear of getting too close to anyone.
We have been divorced for three years, and I still think he’s the only guy for me. The older I get, the more I learn, is there anything better in the world than L-O-V-E?

Funeral Dinner

For my brother Tony: May 1, 1966 to May 3, 1987

Dad and I sat next to each other at the cemetery,
folding chairs cold and hard on that spring
afternoon. He and I were holding hands, but
his wife slid her chilly fingers in between and
how quickly I pulled away, watched the men
lower your body into the mud-soaked ground.

At the funeral dinner, Dad heard me mouthing off,
“I’m never calling her Mom again.” He grabbed
my hand, dragged me upstairs and locked us
in a tiny bathroom. “Your real mother was
an egg donor,” he said. “That woman downstairs
is your mother.” He wiped his nose on his white
handkerchief, stuffed it back in his pocket.

He left me to stare at my reflection, black rivulets
down my cheeks, hazel eyes like his, curly hair.
You looked just like our mother: light skin, bright
green eyes, full lips. And now, just like her,
you had betrayed me: here one day, then gone.

Smoking With My Brother

You left us at 21—brown leather jacket and
blue jeans, feathered hair parted down the middle,
freckles, the bright green eyes you got from
our mother. I never wondered if her leaving
broke you, smoking and drinking by 12,
popping pills by 13, dealing drugs in your
Windsor knot and dress pants to the stoners
at our catholic school just down the block
from home. You worshiped the Doors,
danced with the gangly arms and wild heart
of a rock star, and Dad imagined you’d run off
to join a band and never come back—like her.

After your wreck on that rainy night, we found
your box of poems, foretelling a life that would
end before you aged. “Never trust anyone over
30,” the hippies once chanted, and you would
have raised your fist right alongside them.

Dear brother, this year you would be 49, far
too old to trust—and yet, I would still follow
your hunched shoulders all the way down
to the creek slithering behind Grandma’s,
pack of lifted Winston 100s and box of matches,
I’d perch beside you on a flat rock, light
the cigs against the wind, and not yet knowing
how to inhale, but so you’d think I was as cool
as I believed you to be, hold the smoke in my mouth
as long as I could stand, the stale taste of tobacco,
cotton and paper mixing on my tongue, pretend.

Finding a Mother’s Day Card

Every May I sift through the glut of greeting cards
with their glowing notes: Thank you for raising me,
You’ve always been there, and To my best friend.
I look for the one that says, Enjoy your day,
because Carla, as my mother signs letters to me,
was never a Mom. She and my father split up
when I was a baby, and Dad told her never to come back.
She went away to college, traveled the world,
let another woman feed me, bathe me, beat me
with leather belts. I see her in a black turtleneck and
blue jeans, svelte, five-ten, hair to her waist, bright green eyes,
cheek bones that could slice paper. She sips Scotch,
smokes Marlboro Reds, poses for art students, sketches
self-portraits. At 40, she walks down the aisle, again,
settles into a new life in New England, spends her days
in an art studio piecing magazine clippings into collage art,
teaching millionaires’ wives how to paint. We met once
in my hometown, hugged like strangers, dined on prime rib,
returned to our separate lives of sending letters
about the weather. Some friends say I owe her judgment,
others, respect. As every new spring brings
its buckets of rain, I wonder what we owe each other.

I’ve Been Away Too Long–So, Here’s a Poem

Barbie Dolls on Drugs

I was twelve and you were six, and we spent
every Tuesday night together for a year.
Your mother at Weight Watchers, your
father driving truck, we watched the Wizard of Oz
so often we knew the script by heart, and when
we tired of TV, we invented games. You had
a huge playroom with the Barbie Townhouse,
and a whole town of Barbies. One was the mother,
and one the daughter who stayed out all night,
came home naked, platinum blond hair
a tangled wreck. Mama Barbie screamed,
“Where have you been?” Daughter said,
“I don’t even know what’s going on.”
They slapped faces with right-angled arms,
and Daughter pulled on a sparkly gown
and hopped away with her plastic suitcase.

Days later, your mother asked to talk
to me, said, “No more Barbies on Drugs,
please.” If she would have been nosier, she
might have discovered I got the idea from
the live show I watched at home, starring
my teenage brother and young stepmother,
sparring, yelling, my brother’s frequent
vanishing acts. But I know now your mother
was trying to keep your dad from disappearing.

All these years later, you and I are still
best friends, and I’m both sad and grateful
for my youthful ignorance–your house was an escape
from my own, where I dropped in a video tape,
air-popped some popcorn, and sat with you
to watch a young girl find her way back home.

Exile — Poem from Suede: A Collection of Poetry

Exile

As soon as I showed signs of rebellion—

drinking, missing curfew, talking back—

my parents sequestered me to my

second story room where, in winter,

I could see my breath. It was an exile I came to love:

four windows, the moon peering like a voyeur

through pink floral curtains—so far—

yet close enough that I could steal its light to sketch.

In summer, a small window fan chopped my friends’

voices from the streets below, drew up that second flight,

a light breeze, so I could breathe.

When the smell of dinner wafted up the stairs,

I trudged to the kitchen where my stepmother,

sipping tea, said, No one wants you here.

Back in my room, I sketched John Lennon—

imagined that he’d written “Mother

just for me—and Marilyn Monroe,

another girl left by her mother who made me think,

someday, I might see my name across

a marquee. But at sixteen, freedom

and fame were as distant as the stars.

So, I stole a Valium—yellow and round—

from my stepmother’s jewel box, held my breath

and swallowed it down, then lay across

my bed spread, drawing the moon.

My Father Wondered Why I Was Precocious

My father was single, and he owned a shoe repair and leather crafting business when I was a girl. Besides the leather pants, vests and belts that filled the store, he sold water pipes, rolling papers and roach clips. As a five year old, I was surrounded by psychedelic posters, tie-dyed T-shirts and peace signs. And in the workshop, my father tacked Playboy calendars and posters of nude women on the walls.

When my father turned 27, his very young girlfriend threw him a surprise party at our apartment. There were streamers, balloons and a cake made of breasts. I am grateful that photos exist from this party. I was too young to be invited, of course, and had been sent to bed. But when I look at the photos from the party, I see my father–his Tony Orlando hair, his denim work shirt, the thin beauty on his arm–personified.

I am happy my father was so young, 22, when I was born. Often he was more like an older brother than a father. He was patient and funny, and he wasn’t ashamed of anything. I asked tons of questions, which he always answered. When I asked questions about sex, he told me the truth–often with street slang. Anyone who wonders where I get my “to the point” method of communication can stop wondering. I am both grateful for this gift and have spent a lifetime trying to improve myself.

I miss my father. He was a great parent, mentor and friend.